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Should You Play Live or Use A the Computer

Jun 12, 2020 by soulscene - 0 Comments

The digital age has not only led to revolutions in new software and capabilities, but also an entirely new set of sounds for instrumentation. For those who are familiar with the music at all, they also know that it is no longer necessary to have live instruments to play everything or to have a person present. Computers have the capacity of substituting for any type of instrumentation you need. However, before deciding to digitalize everything, you should consider the differences between playing live or using a computer.

There are several sounds that are now becoming capable of taking the place for real instruments. MIDI was the first set of sounds that were produced which were the same as real instruments. The packages in MIDI were taken by recording live instruments on every note and turning them into a digital sound wave. As this particular type of package has evolved, so have the sounds and the ability to make the sounds seem more real and less electronic. Most MIDI packages are used only with Mac computers or as added on plugins to what already exists.

The second type of digital effect is known as VST’s, or Virtual Sound Technology. This is a generalized term that includes a wide variety of instrumentations, loops sounds and electronic effects that can be used in almost any software program. Like MIDI, VSTs take live instruments, copy the sounds, and reproduce them using digital effects. The result is a wide variety of instruments, sounds, and certain measures of general arrangements that can be used almost anywhere.

When you are recording, the question becomes whether to use the electronic capacities that are there or to move into recording live instruments. While the electronics progress, the sounds become better and somewhat capture what is being done. However, there are things to listen for and to familiarize yourself with before moving into using electronics.

The first part of the electronics that is missing from the picture is the idea of resonance. With live instruments, each note carries harmonics over it that can not be heard, as well as resonance from the strings and vibrations. The vibrations come from the strings or air hitting other air and hitting the sound. Because the MIDI and VST packages are digitalized, it will be missing this capacity and won’t be able to carry this same vibration. This is one of the largest cons of VSTs. Even with the progressions in copying the sounds, it is impossible to find ones that add in the resonance of a real instrument.

If you have no choice but to use a VST or MIDI package, you will want to consider finding ones that can play as close to the real instruments as possible. Many of the older versions of electronic sounds carry the electronic sound to them and sound like synthesizers or man-made instruments. You won’t want to use a package that doesn’t have a resemblance to the real thing. Most musicians and listeners can still tell the difference. If you want your sounds to be electronic than this will work fine. However, if you are trying to portray a real instrument, you want to make sure that it carries a sound that closely resembles the live instrument.

The major way in which you can tell whether the packages are resembling live instruments is in how you hear the instrument. You may want to compare how the packages sound to the real things. For instance, an electronic sound will sound muffled and will be closer sounding to a synthesizer than to an instrument. Unless this is the exact sound you are looking for, you will probably want to check into newer versions or updates that use better technology options.

No matter what you decide with the instrumentation to use for your recording, the most important thing to keep in mind is what you want the end sound to be like. This means that you should keep things in mind such as resonance, resemblance to the real instrument, and the electronic equivalent of that instrument. While both can remain just as effective in your arrangement, it is the small differences in sound that make a difference in what is being played.

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Defining Signals for Sound : how to make you music come alive

May 13, 2020 by soulscene - 0 Comments

In recording, there are a variety of ways to capture the sounds that you want and to filter out the ones that you don’t want. These are all done through the capacities of equipment parts known as signal processors. Typically, signal processors will be used during the pre-mixing and mixing stage as well as the set up of instruments. They are also used as a combination of defining what the instruments need to turn into a wave and what the mixing can do to make the instruments sound at their best. Following are some basic signal processors you should know.

 

Equalization. This is also known as EQs and is used in a variety of places of the recording process. The main part of this is to create a balance between the ranges that are within each instrument, from the low to the mid and high ranges. Equalization processors can be found in mixing boards as balance knobs as well as specialized functions in different types of software.

Filters. This is done to take out the extra sounds that don’t fit into the song. For example, if you have a buzz or white noise that you can’t get out physically, you can filter the sound and allow for only the clarity to come through. This is done by isolating the wave and recalculating the wave instead of the noise underneath.

Reverberation. This is an effect that is used after the instruments are recorded into the software. Reverb allows for the resonance that would be heard in a natural setting to be implemented into the song. This type of setting works best for sounds that are already clear and need an extra effect to them.

Delay. This is the echo effect of signal processors. Delays come in a variety of formats, ranging from changing the room to a larger room to an echo effect that stops the sound from occurring by milliseconds. Depending on the technique and sound you are trying to create, you can use this specific tool to create a completely different sound in your music.

Dynamic Processing. This consists of a variety of options for recording, all which take place at the very beginning of the process of recording. The first type of processing is compression in which the wave will be limited to certain peaks on both sides, allowing it to stay closer to the middle. The second type of processing is expansion, in which the waves move to higher peaks that are away from the middle. Limiting is the third option, and stops the notes from sounding for a longer period of time. The last type of dynamic processing is noise gates, which stops certain sounds from being recorded, especially if it is based around the resonance of an instrument.

Noise Reduction. This is done in order to dampen the noises that are being heard through the recording process and is typically done at every step of recording. Noise reduction will include the ability to limit sounds and to reduce the lows or highs that don’t need to be heard with certain sound effects.

These main signal processors are used in order to control the recording process and sounds as well as to create the desired effects for the end result. By using these different components at different times, it becomes easier to effectively create the sound you want through your recordings.

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Choosing Your Mixing Board

May 06, 2020 by soulscene - 0 Comments

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The realizations that have grown in the studio for mixing are ones that have also led to new applications and ideas for putting together the right mix of instruments. With this, has come a variety of technologies and options in order to ensure that every type of studio can easily change sound waves within the recording area. These options are allowing for better mixes and blends within each piece of music. Knowing the characteristics of different mixing boards can help you to decide what is your best option.

The realizations that have grown in the studio for mixing are ones that have also led to new applications and ideas for putting together the right mix of instruments. With this, has come a variety of technologies and options in order to ensure that every type of studio can easily change sound waves within the recording area. These options are allowing for better mixes and blends within each piece of music. Knowing the characteristics of different mixing boards can help you to decide what is your best option.

Number of input devices. Each mixing board comes with a set of number of channels. Each of these channels will allow for one instrument to be placed within the mixing board. You may have heard of concepts like the ’24 mixer’ or ’36 mixer’. The numbers that are being referred to are the channels used, each one allowing for an instrument to be in it’s place. Before you get a mixing board, you will want to think of how many channels you will need at one time, dependent on how many instruments you want or need to record at once.

Different uses for different environments. There are different innovations that are used for different areas of mixing. Because a sound board has to be able to adapt to both the software for recording and for the mix of instruments, different types of mixers will be available. Some of these will be focused on performance mixing while others will be strictly for the studio. You can determine which is being used according to the level control features and the way in which the sound board is built.

Analog or Digital. Technology innovations with mixers are constantly re-defining the best and latest types of mixers to use within recording. This has quickly made a transition from analog to digital mixers. Analog mixers are defined by wired controls that mix in changes and live sounds. Digital mixers; however, will use a digital interface in between. Typically, the mixing difference can be heard in the sound as well as the options for mixing. Because digital is using later technology, it is now moving into innovations such as audio streams, all in one editing options and more possibilities for controlling volume and input of the sound being used.

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Extra effects. No matter what type of mixer you are looking into, you always want to pay attention to the little knobs that are a part of the mix. Depending on the mix and make of the sound board, you will also have different signal options as well as volume control options, dependent on the mixer. The more complex you want to make the mix, or the more instrumentation you have, will also help you to decide on what effects you want to take place in the mix and before the sound recording. You should keep in mind that, with these effects, they can not be undone if they are recorded that way as sound waves, meaning you will want to be cognizant of what is working and what doesn’t in the mix.

Interactions with software. Your mixing board not only provides you with options for pre-recording, but also should have options with how it interacts with the software. Not only does each mixing board have different features within the board itself, but can also interact with the software in certain ways in order to mix together the sound waves in a certain way. You will want to make sure that you have a mixing board that compliments your software system.

If you keep these things in mind with the right mixing board, it will save you time, money and will allow for the right sound to be developed from what you are creating. Your end option will be the ability to customize your sound and to create certain controls within your music that best fit what you want to do. By understanding the different qualities of mixing boards and how they can work for you, there will be the ability to have the perfect recipe for your instrumentation mix.

The realizations that have grown in the studio for mixing are ones that have also led to new applications and ideas for putting together the right mix of instruments. With this, has come a variety of technologies and options in order to ensure that every type of studio can easily change sound waves within the recording area. These options are allowing for better mixes and blends within each piece of music. Knowing the characteristics of different mixing boards can help you to decide what is your best option.

Number of input devices. Each mixing board comes with a set of number of channels. Each of these channels will allow for one instrument to be placed within the mixing board. You may have heard of concepts like the ’24 mixer’ or ’36 mixer’. The numbers that are being referred to are the channels used, each one allowing for an instrument to be in it’s place. Before you get a mixing board, you will want to think of how many channels you will need at one time, dependent on how many instruments you want or need to record at once.

Different uses for different environments. There are different innovations that are used for different areas of mixing. Because a sound board has to be able to adapt to both the software for recording and for the mix of instruments, different types of mixers will be available. Some of these will be focused on performance mixing while others will be strictly for the studio. You can determine which is being used according to the level control features and the way in which the sound board is built.

Analog or Digital. Technology innovations with mixers are constantly re-defining the best and latest types of mixers to use within recording. This has quickly made a transition from analog to digital mixers. Analog mixers are defined by wired controls that mix in changes and live sounds. Digital mixers; however, will use a digital interface in between. Typically, the mixing difference can be heard in the sound as well as the options for mixing. Because digital is using later technology, it is now moving into innovations such as audio streams, all in one editing options and more possibilities for controlling volume and input of the sound being used.

Extra effects. No matter what type of mixer you are looking into, you always want to pay attention to the little knobs that are a part of the mix. Depending on the mix and make of the sound board, you will also have different signal options as well as volume control options, dependent on the mixer. The more complex you want to make the mix, or the more instrumentation you have, will also help you to decide on what effects you want to take place in the mix and before the sound recording. You should keep in mind that, with these effects, they can not be undone if they are recorded that way as sound waves, meaning you will want to be cognizant of what is working and what doesn’t in the mix.

Interactions with software. Your mixing board not only provides you with options for pre-recording, but also should have options with how it interacts with the software. Not only does each mixing board have different features within the board itself, but can also interact with the software in certain ways in order to mix together the sound waves in a certain way. You will want to make sure that you have a mixing board that compliments your software system.

If you keep these things in mind with the right mixing board, it will save you time, money and will allow for the right sound to be developed from what you are creating. Your end option will be the ability to customize your sound and to create certain controls within your music that best fit what you want to do. By understanding the different qualities of mixing boards and how they can work for you, there will be the ability to have the perfect recipe for your instrumentation mix.

A number of input devices. Each mixing board comes with a set of a number of channels. Each of these channels will allow for one instrument to be placed within the mixing board. You may have heard of concepts like the ’24 mixer’ or ’36 mixer’. The numbers that are being referred to are the channels used, each one allowing for an instrument to be in its place. Before you get a mixing board, you will want to think of how many channels you will need at one time, dependent on how many instruments you want or need to record at once.

Different uses for different environments. There are different innovations that are used in different areas of mixing. Because a soundboard has to be able to adapt to both the software for recording and for the mix of instruments, different types of mixers will be available. Some of these will be focused on performance mixing while others will be strictly for the studio. You can determine which is being used according to the level control features and the way in which the soundboard is built.

Analog or Digital. Technology innovations with mixers are constantly re-defining the best and latest types of mixers to use within recording. This has quickly made a transition from analog to digital mixers. Analog mixers are defined by wired controls that mix in changes and live sounds. Digital mixers; however, will use a digital interface in between. Typically, the mixing difference can be heard in the sound as well as the options for mixing. Because digital is using later technology, it is now moving into innovations such as audio streams, all in one editing options and more possibilities for controlling volume and input of the sound being used.

Extra effects. No matter what type of mixer you are looking into, you always want to pay attention to the little knobs that are a part of the mix. Depending on the mix and make of the soundboard, you will also have different signal options as well as volume control options, dependent on the mixer. The more complex you want to make the mix, or the more instrumentation you have, will also help you to decide on what effects you want to take place in the mix and before the sound recording. You should keep in mind that, with these effects, they can not be undone if they are recorded that way as to sound waves, meaning you will want to be cognizant of what is working and what doesn’t in the mix.

Interactions with software. Your mixing board not only provides you with options for pre-recording but also should have options with how it interacts with the software. Not only does each mixing board have different features within the board itself, but it can also interact with the software in certain ways in order to mix together the sound waves in a certain way. You will want to make sure that you have a mixing board that compliments your software system.

If you keep these things in mind with the right mixing board, it will save you time, money and will allow for the right sound to be developed from what you are creating. Your end option will be the ability to customize your sound and to create certain controls within your music that best fit what you want to do. By understanding the different qualities of mixing boards and how they can work for you, there will be the ability to have the perfect recipe for your instrumentation mix.

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A Wave File Is A Wave File

Apr 29, 2020 by soulscene - 0 Comments

Software products, theories and preferences within the recording industry have taken over the best to the worst options in what to use in order to get the perfect CD. Recording engineers and specialists always spend their time thinking about the best way to mix and master a wave file and the way to really get the job done. However, the need to have specific measurements for different software and hardware is one that is not necessarily important.

No matter what you record with, the brand that you use or the software that is a part of your recording studio, there is only one general rule that you need to remember. That is that a wave file is just a wave file. The sound that goes into the computer from your instrument will always be that same wave file, no matter what you try to use, change or create to make it the perfect wave file.

This means that the software that you use, the way that you plug in your information for recording and the type of instruments you use will all lead to the same thing. The sound wave. No matter how many theories or ideas cross over into what the ‘best’ is, it always comes back to this one general term. This is important not only to not become overwhelmed by the amount of information available, but also to recognize that the entire process of recording is based around this one concept and how you can use it the best.

What one should be looking at in terms of the wave files is what can be done in order to create the best sound. You want your mixing and mastering to lead you to the sound that fits you as being a unique and creative sound. You also want it to keep a certain level of control with volume as well as clarity. With every step in the mixing and mastering process, this is what should be in mind first, not necessarily what you go through to get it there.

Beyond this, your rule of thumb should be how to make the wave files to perform at their best. This relates to taking care of the peaks and the low points so that it sounds in a way that is best suited to whatever format you are putting it in, as well as the abilities to create a complete sound to the ear.

The reason why these should have priority is that it is the demonstration of the wave file to the ear that becomes the most important thing in the end. If you can remember this as your end goal with the recording, you can go through whatever is needed in order to make the correct associations with the songs that you are playing.

The importance of the wave file is that it is your communication of music. Because of this, you want to make sure that you use the correct tools and the ones that are best suited to what you need. This isn’t something that needs to be associated with the instrumentation, software or amount of things that you have in your studio. If you know how to use a wave file and how to create the best sound, than you are on your way to making a professional recording.

10 Great Tips to a Recording a Better Song

Apr 22, 2020 by soulscene - 0 Comments

In the event that you are preparing to step into a studio to record, ensure that you begin thinking before you at any put foot near the mouthpiece. While recording has taken into account new ideas and desires to be met with music, there is as yet the need to do some good  to ensure that your melodies merit the additional track. The following are ten hints that you can make sure to ensure you have the course of action right before you start recording.

1.Balance. Is your instrumentation adjusted? You ought to have an even measure of reaches, from low to high. In the event that you have a lot of one and insufficient of another, your account probably won’t sound so extraordinary.

2.Harmonies. You need to ensure that there is some acceptable help going into the tune of your tune. Without the correct harmonies, or elective sounds to the tune, it will seem like your tune is feeling the loss of a bit of the riddle.

3.Musical game plan. This is based totally around the capacity to arrange the instrumentation in the melody. In addition to the fact that it should be adjusted, however, it ought to likewise remember differentiations and similitudes for how the music follows what you are attempting to state. On the off chance that you are left with making instrumentation that fits, get into some essential hypothesis ideas to help you.

4.Spacing. More significant than the entirety of the songs and harmonies, is the room that you put in the middle of each. This implies you would prefer not to hurry through your tune and you would prefer not to take an excess of time. Ensure that you give a few splits with songs and switch up the harmonies enough to keep it fascinating and moving accurately.

5.Tempo. Customarily, it is accepted that there is a particular beat and that is it. Notwithstanding, you need to ensure that your rhythms are characterized and everybody tails them without thinking twice. When you get into the studio, you don’t need anything to be off by a second, as it will make the account become hard to set down.

6.Form. The least demanding route for an audience to identify with your tune from the earliest starting point is to have the correct structure. In the event that you are centered around verses, this will be the snare that is utilized during the melody. On the off chance that you are trying different things with structure, ensure there is constantly a spot in the music that returns and keeps the consideration of the audience so they can identify with the music.

7.Variety. One of the neglected pieces of organizing is the assortment that is in the tune. This implies, despite the fact that you are rehashing tunes or stanzas, ensure that you have some unique development or instrumentation in your account.

8.Movement. The development of the melody goes past the rhythm and into the additional little things that you do with a chronicle. This is the thing that will represent the deciding moment of a tune. Things, for example, loads and softs, ornamentation, and other little additional items will assist with moving the melody in the correct manner.

9.Consistency. Alongside the assortment of the tune ought to be a sure consistency that lets the melody fit together. This halfway is identified with the type of tune and furthermore connections to things, for example, integrating the tune with the correct verses and melodic ideas. Inside every one of these zones, you can have some variety, however, ensure that the edge work permits the audience to follow what you are doing.

10.Creativity. Obviously, this ought to never be deserted. Very frequently are melodic thoughts that are heard that are near what was heard previously. The principal rule to a decent tune is consistently to release yourself, follow your inventiveness, and to let the rest become alright.

With these basic stunts are ways that you can improve your melody and make it record prepared. From this, you will have the option to ensure that your tunes and pieces are cleaned, stand apart from the group and get your voice heard among different artists.

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